Karlis Arnolds Avots: From Tall Tales to Cannes Glory (2026)

In the world of cinema, Latvia, a small Baltic nation, is making a big splash. With a population comparable to a US state, Latvia is producing cinematic talent that is capturing global attention. One such talent is Kārlis Arnolds Avots, an emerging actor who is set to make his Cannes debut and leave a lasting impression.

Avots' journey is a testament to the power of storytelling and the impact it can have on an actor's career. His recent role as Uļjana "Ulya" Semjonova, a legendary Latvian basketball player, showcases his ability to transform and embody a character. But what makes this story particularly fascinating is the personal connection Avots had with his subject.

"I've known her all my life, and when I moved to Riga, she became my neighbor," Avots reveals. This proximity to Ulya's story allowed him to connect with her on a deeper level, understanding her struggles and triumphs. It's this emotional connection that drives Avots' performance, as he strives to be as honest and authentic as possible.

One thing that immediately stands out is Avots' interpretation of Ulya's journey. He sees her not just as a champion on the court but as a champion of her inner world. This perspective adds a layer of depth to the character, showcasing the power of self-acceptance and the ability to overcome societal expectations. Avots' own background, feeling like an outcast due to his height, adds a personal touch to his portrayal.

"I felt like an outcast, like all of us who are too skinny, too broad, or way too tall or short," Avots shares. This self-identification with misfits and outcasts is a theme that runs through his favorite films, including Werner Herzog's Kaspar Hauser and David Lynch's The Elephant Man. It's a powerful message that resonates with audiences, reminding us of the beauty in our differences.

The physical transformation Avots underwent to portray Ulya is impressive. Standing at 6'5", he had to find Ulya's unique rhythm and movement, especially during her early career when she felt awkward about her height. Avots' dedication to the role is evident as he avoided lifting weights for two years to get into character. This attention to detail, combined with his research and conversations with Semjonova herself, showcases his commitment to authenticity.

What many people don't realize is that Avots' gender was never a barrier to his performance. "I don't believe an actor acts with their gender; they act with their soul," he explains. This perspective is inspiring and challenges traditional notions of gender in acting. Avots draws inspiration from actors like Sandra Hüller, Jessie Buckley, and Joaquin Phoenix, who all bring a unique honesty and vulnerability to their roles.

Avots' journey to acting is itself an intriguing story. Initially, he pursued sports, constantly changing disciplines, but realized that acting offered him a fresh start with each new role. This aligns perfectly with his personality, as he describes himself as an "idea-driven guy" who goes after his dreams with determination. Even when faced with setbacks, like being told he was "too tall" for puppet acting, he found a way to pursue his passion.

The industry has taken notice, and Avots' talent has been recognized with prestigious showcases like the European Shooting Stars at the Berlin Film Festival. His upcoming projects, including Bloodaxe, Honey, and Kill Jackie, promise to further establish him on the global stage. Avots' ability to embody complex and intriguing characters, from anti-heroes to outcasts, is a testament to his range and versatility.

In conclusion, Kārlis Arnolds Avots' story is a reminder that cinema has the power to celebrate our differences and inspire us to embrace our unique selves. His performance as Ulya is a testament to the impact of personal connections and the depth that can be brought to a role. As Avots continues to rise, we can expect more captivating performances that challenge and entertain audiences worldwide.

Karlis Arnolds Avots: From Tall Tales to Cannes Glory (2026)
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